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After detailing Tim Ritter's very first feature, 1984's Day of the Reaper, and his high praised third, 1986's Truth or Dare?: A Critical Madness, I figured I'd finally see his fourth, 1987's Killing Spree. Some call this feature Ritter's pinnacle as a filmmaker and I'd have to agree considering what I've seen so far. Ritter crafts a very tight little psychofest that's much less rough around the edges than Truth or Dare (TorD). There's more confidence behind the camera with a bevy of interesting angles, cleanly accomplished editing, and cheap flourishes like bright red light flooding the set whenever Tom opens Leeza's book and then suddenly snapping back to normal upon shutting it. The idyllic, eternally sunny Florida cul-de-sac suburb locale also doesn't hurt. Impressive considering Killing Spree was shot for not even half of TorD's cost ($75k vs. $200k).
Otherwise, Killing Spree is a blander tasting brew of ideas explored to better effect in TorD. Looking through Ritter's filmography, it's apparent nearly everything after TorD has been dictated by the concepts of sometimes-escaped psychos, philandering women, and the lawmen hot on their trail initially set forth in 1986. I guess that's okay, but once is enough, especially with the film that blazed that ground in Ritter's career being pretty damn good.

If you like 16mm DIY genre backwash, Tim Ritter doesn't disappoint here. Killing Spree isn't a waste of a slightly intoxicated, Dorito-engorged late night VCR adventure. It's one of those flicks that seems twice as tolerable if watched on ol' trusty VHS. Still, if you've seen Truth or Dare?: A Critical Madness, this lesser exercise isn't all that important. You've already bore witness to the better of Ritter's two looney with martial issues niche splatter classics. Though extra points for the several Fangoria magazine appearances, direct Truth or Dare references, a Sony Betamax machine in Tom and Leeza's den, and one hilarious tidbit involving the hammer smashed face trying to speak after the dead return.
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